| Morgens send ich dir die Veilchen, Op. 61 |
Heinrich Heine
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Serse, HWV 40, Serse (Xerxes), HWV 40, Act I: Ombra mai fu, "Largo" |
Nicolò Minato
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Clari, "the Maid of Milan": Home, Sweet Home |
John Howard Payne
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Tannhäuser: Tannhauser: Als du in kuhnem Sange uns bestrittest |
Richard Wagner
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| The Sweetest Flower That Blows |
Frederic Peterson
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Falstaff, Act II: Quand'ero paggio |
Arrigo Boito
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| La Folletta |
Anonymous
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Les contes d'Hoffmann (the Tales of Hoffmann), Act I: Doll'a Aria [the Doll's Song], "Les oiseaux dans la charmill |
Jules Barbier
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| My Love Nell (Arr. M. Fox) |
Traditional
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Robin a代入 |
Traditional
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| thou art passing hence沒有brother |
Felicia Hemans
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Theodora, HW V 68, act i: angels ever bright and fair |
Thomas Morell
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Shamus OB日唔, op. 61: OC ho new和NI used to be young |
George Henry Jessop
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Martha, act II: die了TZ特rose |
Friedrich Wilhelm Riese
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| IC哈哈特特你成天打然各大傳統 |
Anonymous
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| the maid of Orleans, op. 4, the maid of Orleans, act i: adieu, for ETS |
Pyotr Ilyich Tchaikovsky
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Ständchen, D. 889, "Hark, hark, the lark": Standchen, D. 889, "Hark, hark, the lark" ("Horch, horch! Die |
August Wilhelm Schlegel
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Ninon |
Alfred de Musset
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Manon, Act III: Obeissons quand leur voix appelle |
Henri Meilhac
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Drink to me only with thine eyes |
Ben Johnson
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Pelléas et Mélisande, L. 88, Pelleas et Melisande (Pelleas and Melisande), Act III: Mes longs cheveux |
Maurice Maeterlinck
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Tannhäuser: Tannhauser: Elsas Song |
Richard Wagner
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Maman, dites mo |
Traditional
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Manon, Act II: Auftritt von Manon |
Henri Meilhac
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
| Le nozze di Figaro, K. 492, Le nozze di Figaro, K. 492, Act I: Non più andrai (the Marriage of Figaro) |
Lorenzo Da Ponte
|
The Harold Wayne Collection, Vol. 7 (1901-1908) |
thou art passing hence沒有brother