| 2 |
The Importance of Being Earnest:Act III: Is this the handbag? (Jack, Miss Prism, Lady Bracknell) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 4 |
The Importance of Being Earnest:Act III: Your Christian names (Gwendolen, Cecily, Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 6 |
The Importance of Being Earnest:Act III: Lady Bracknell, who am I? (Jack, Lady Bracknell, Algernon, Gwendolen, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 8 |
Asyla, Op. 17: IV |
Modern Classical Music
|
|
| 10 |
The Importance of Being Earnest:Act III: But where did you deposit the handbag? (Jack, Miss Prism, Gwendolen) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 12 |
Five Eliot Landscapes Op. 1: II. Virginia |
British Composers - Ades: Life Story
|
|
| 14 |
The Diary of One Who Disappeared, JW V12:No. 22, Andante "Sbohem, rodny kraju" |
20th Century Classics: Leos Janácek
|
|
| 16 |
The Diary of One Who Disappeared, JW V12:No. 7, Con moto "Ztratil jsem kolicek" |
20th Century Classics: Leos Janácek
|
|
| 18 |
The Importance of Being Earnest:Act I: I feel bound to tell you (Lady Bracknell, Jack) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 20 |
Catch Op. 4 |
British Composers - Ades: Life Story
|
|
| 22 |
Five Eliot Landscapes Op. 1: IV. Rannoch, by Glencoe |
British Composers - Ades: Life Story
|
|
| 24 |
A Recollection, for Piano, JW VIII32 |
20th Century Classics: Leos Janácek
|
|
| 26 |
Sonata da Caccia, Op.11 (1993): I. Gravement - |
Adès: Living Toys
|
|
| 28 |
The Diary of One Who Disappeared, JW V12:No. 8, Andante "Nehled'te, volecci, tesklivo k uvratim" |
20th Century Classics: Leos Janácek
|
|
| 30 |
The Diary of One Who Disappeared, JW V12:No. 21, Meno mosso "Muj drahy taticku" |
20th Century Classics: Leos Janácek
|
|
| 32 |
The Diary of One Who Disappeared, JW V12:No. 12, Adagio "Tmava olsinka, chladna studanka" |
20th Century Classics: Leos Janácek
|
|
| 34 |
Under Hamelin Hill Op. 6: Preambulum (2 hands) |
British Composers - Ades: Life Story
|
|
| 36 |
The Importance of Being Earnest:Act III: I am Miss Cardew's guardian (Jack, Lady Bracknell, Chasuble) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 38 |
The Origin of the Harp, Op.13 (1994): II. Largo con moto |
Adès: Living Toys
|
|
| 40 |
The Diary of One Who Disappeared, JW V12:No. 16, Adagio "Co jsem to udelal" |
20th Century Classics: Leos Janácek
|
|
| 42 |
The Diary of One Who Disappeared, JW V12:No. 9, Andante "Vita, Janicku" |
20th Century Classics: Leos Janácek
|
|
| 44 |
The Importance of Being Earnest:Act II: And this is what you call Bunburying!? (Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 46 |
The Diary of One Who Disappeared, JW V12:No. 15, Allegro "Moji sivi volci" |
20th Century Classics: Leos Janácek
|
|
| 48 |
The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo |
Adès: Living Toys
|
|
| 50 |
Life story Op. 8b (1990) |
British Composers - Ades: Life Story
|
|
| 52 |
The Importance of Being Earnest:Act II: You are my little cousin Cecily (Algernon, Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 54 |
Life Story, Op. 8 |
The Best of Thomas Adès
|
|
| 56 |
Chamber Symphony, Op.2:IV |
Adès: Asyla
|
|
| 58 |
Sonatina No. 3 'ad usum infantis': III. Vivace (alla Marcia) |
20th Century Piano Music
|
|
| 60 |
The Importance of Being Earnest:Act II: I wish Uncle Jack would allow (Cecily) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 62 |
The Diary of One Who Disappeared, JW V12:No. 2, Con moto "Ta cerna ciganka" |
20th Century Classics: Leos Janácek
|
|
| 64 |
The Importance of Being Earnest:Act II: I had no idea (Gwendolen, Cecily, Jack, Algernon) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 66 |
The Importance of Being Earnest:Act II: Cecily, ever since I looked (Algernon, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 68 |
Les Baricades Mistérieuses |
British Composers - Ades: America A Prophecy
|
|
| 70 |
The Diary of One Who Disappeared, JW V12:No. 17, Recitativo "Co komu suzeno" |
20th Century Classics: Leos Janácek
|
|
| 72 |
Come io passo l'estate: V. Il buco dell'Orso |
20th Century Piano Music
|
|
| 74 |
Moderato, for Piano, JW VIII21 |
20th Century Classics: Leos Janácek
|
|
| 76 |
The Importance of Being Earnest:Act I: Miss Fairfax, ever since I met you (Jack, Gwendolen) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 78 |
The Diary of One Who Disappeared, JW V12:No. 18, Adagio "Nedbam ja vcil o nic" |
20th Century Classics: Leos Janácek
|
|
| 80 |
The Diary of One Who Disappeared, JW V12:No. 10, Un poco più mosso "Boze, dalny, nesmrtelny" |
20th Century Classics: Leos Janácek
|
|
| 82 |
The Importance of Being Earnest:Act I: Did you hear what I was playing? (Algernon, Lane, Jack, Choir) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 84 |
The Importance of Being Earnest:Act II: Freude, schöner Gotterfunken (Miss Prism, Cecily, Merriman) |
BARRY, G.: Importance of Being Earnest (The) (Birmingham Contemporary Music Group, Adès)
|
|
| 86 |
...But All Shall Be Well, Op. 10 |
Adès: Asyla
|
|
| 88 |
Five Eliot Landscapes Op. 1: III. Usk |
British Composers - Ades: Life Story
|
|
| 90 |
The Origin of the Harp, Op.13 (1994): III. Spettrale |
Adès: Living Toys
|
|
| 92 |
The Origin of the Harp, Op.13 (1994): IV. [untitled] |
Adès: Living Toys
|
|
| 94 |
The Diary of One Who Disappeared, JW V12:No. 13, Andante "Intermezzo erotico" |
20th Century Classics: Leos Janácek
|
|
| 96 |
Sonata da Caccia, Op. 11: IV. Galament |
Porträt-Reihe: Travelling Pieces (Ensemble Modern Presents Saar Berger & Ensemble Modern)
|
|
| 98 |
Album for Kamila Stösslova, JW VIII33:No. 13, Waiting for You! |
20th Century Classics: Leos Janácek
|
|
| 100 |
Concerto Conciso:[dotted crotchet = 116] |
Adès: Asyla
|
|