| 2 |
Requiem, K. 626:Lacrimosa dies illa (from The Big Lebowski) |
The 99 Most Essential Classical Pieces in Movies
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| 4 |
3 Russian Songs, Op. 41: II. Ah, Vanka, you are so dashing |
Vladimir Jurowski: 10 Years
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| 6 |
Messiah, HWV 56:Hallelujah Chorus |
111 Amazing Pieces of Classical Music
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| 8 |
Messiah: Part 1, No. 6 - But Who May Abide the Day of His Coming |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 10 |
Dona nobis pacem: VI. 'O man greatly beloved' |
Vaughan Williams: Dona nobis pacem etc
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| 12 |
Messiah, HWV 56, Pt. II: 41. Let Us Break Their Bonds Asunder |
Weihnachten zu Hause: Der Messias, HWV 56
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| 14 |
Jerusalem |
Classical Celebration
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| 16 |
Messiah: Part 3, No. 46 - Since By Man Came Death |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 18 |
Belshazzar's Feast:10. Then sing aloud to God our strength |
The World of William Walton
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| 20 |
Elijah Op.70 MWV A25Part 1:As God the Lord of Saboath liveth; Baal we cry to thee |
Mendelssohn: Elijah
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| 22 |
Messiah: Part 2, No. 29 - Thy Rebuke Hath Broken His Heart |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 24 |
III Comodo. Scherzando. Ohne Hast |
ICA Classics Legacy: Klaus Tennstedt
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| 26 |
Messiah: Part 2, No. 43 - Thou Shalt Break Them with a Rod of Iron |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 28 |
Mass no. 19 in D Minor, K. 626, 'Requiem': VII. Lacrimosa |
Mozart Best 100
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| 30 |
Messiah: Part 2, No. 23 - He Was Despised and Rejected of Men |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 32 |
Belshazzar's Feast:9. The trumpeters and pipers |
The Twelve
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| 34 |
Messiah: Part 2, No. 27 - All They That See Him, Laugh Him to Scorn |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 36 |
Messa da Requiem: Dies irae - Tuba mirum |
LPO plays the Romantic Era Favourites Vol. 2
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| 38 |
Perséphone, Tableau I "Perséphone ravie":"Jacinthe, anémone, safran" (Eumolpe, Chœur, Perséphone) |
Stravinsky: Le Sacre du printemps & Perséphone
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| 40 |
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: IV. Mein Gott! Warum hast du mich verlassen? |
Haydn: The Seven Last Words of our Saviour on the Cross
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| 42 |
The Music Makers, Op.69 (2007 Remastered Version): (Moderato e nobilmente) |
Elgar: The Dream of Gerontius - The Music Makers
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| 44 |
A Mass of Life, FIRST PART:V. 'Nacht ist es' (Andante molto tranquillo) [1992 Remaster] |
British Composers: Delius
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| 46 |
Messe solennelle pour le sacre de Louis XVIII:Agnus Dei |
Cherubini: Masses, Overtures, Motets
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| 48 |
The Messiah, HWV 56: IV. And the Glory of the Lord |
Happy Holidays: The Messiah: George Frideric Handel (Complete Version)
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| 50 |
Messiah, HWV 56, Pt. I: 13. Pastoral Symphony |
Weihnachten zu Hause: Der Messias, HWV 56
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| 52 |
Te Deum Op.22:Te ergo quaesumus |
Te Deum, Op.22
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| 54 |
A Sea Symphony: II. On the Beach at Night Alone |
Williams: A Sea Symphony
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| 56 |
Messiah: Part 2, No. 37 - The Lord Gave the Word |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 58 |
Elijah Op.70 MWV A25Part 1:Cast thy burden upon the Lord |
Mendelssohn: Elijah
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| 60 |
Requiem, Op. 89, B. 165: Recordare, Jesu pie |
Dvorak: Requiem
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| 62 |
The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: III. Frau, hier siehen deinen Sohn |
Haydn: The Seven Last Words of our Saviour on the Cross
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| 64 |
Messiah, HWV 56, Pt. II: 22. Behold the Lamb of God |
Weihnachten zu Hause: Der Messias, HWV 56
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| 66 |
Messiah, HWV 56Pt. 1:8 & 9. O Thou that Tellest Good Tidings to Zion |
HANDEL: Messiah. BACH: Magnificat.
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| 68 |
Messiah, HWV 56, Pt. II: 28. He Trusted in God That He Would Deliver Him |
Weihnachten zu Hause: Der Messias, HWV 56
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| 70 |
Requiem in D minor K626, Sequenz: Dies irae |
Mozart Requiem [The National Gallery Collection] (The National Gallery Collection)
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| 72 |
Grande messe des morts, H 75: VII. Offertoire (Domine Jesu Christe) |
Berlioz: Grande Messe des morts
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| 74 |
Messiah: Part 1, No. 2 - Comfort Ye, My People |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 76 |
Belshazzar's Feast:8. Then sing aloud to God our strength |
The Twelve
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| 78 |
Messiah: Part 1, No. 19 - Then Shall the Eyes of the Blind Be Opened |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 80 |
Requiem (Grande Messe des Morts), Op. 5:I. Requiem et Kyrie |
Berlioz Requiem (Grande Messe des Morts), Op. 5 - Davis, LSO
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| 82 |
First Choral Symphony, Op. 41, H. 155:I. Prelude (Invocation to Pan) |
Holst: The Collector's Edition
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| 84 |
Requiem in D minor K626, Offertorium: Domine Jesu Christe |
Mozart Requiem [The National Gallery Collection] (The National Gallery Collection)
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| 86 |
First Choral Symphony, Op. 41, H. 155:III. Ode on a Grecian Urn |
Holst: The Collector's Edition
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| 88 |
Messiah: Part 2, No. 36 - Thou Art Gone Up On High |
Handel: Messiah (Complete Version, Original Instrumentation)
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| 90 |
Grande messe des morts, H 75: VI. Lacrymosa |
Berlioz: Grande Messe des morts
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| 92 |
Requiem, Op. 89, B. 165: Domine Jesu Christe [Offertory] |
Dvorak: Requiem
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| 94 |
Utopia Symphony: Part I |
Vladimir Martynov: Utopia
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| 96 |
Perséphone, Tableau II "Perséphone aux enfers":"Viens, Mercure !" (Chœur, Eumolpe, Perséphone) |
Stravinsky: Le Sacre du printemps & Perséphone
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| 98 |
Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Part I: Infirma nostri corporis virtute firmans perpeti |
Jurowski Conducts Mahler's Symphony No. 8 (Live)
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| 100 |
Requiem in D minor K626, Sequenz: Lacrimosa dies illa |
Mozart Requiem [The National Gallery Collection] (The National Gallery Collection)
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