| Das RheingoldScene 4:"Gezahlt hab'ich: nun la?t mich ziehn!" |
Sir Georg Solti
|
Wagner: Das Rheingold |
| Elijah Op.70 MWV A25Part 2:Hear ye Isael; Be not afraid; The Lord hath exalted |
London Philharmonic Orchestra
|
Mendelssohn: Elijah |
| Don GiovanniAct 1:"Alfin siam liberati" |
Sir Georg Solti
London Philharmonic Orchestra
|
Solti - Mozart - The Operas |
| Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" ( |
London Philharmonic Orchestra
|
150th Anniversary Box - Mahler |
| Overture "Les francs-juges", Op.3 |
Sir Georg Solti
|
Famous Overtures (2 CDs) |
| Die Frau ohne Schatten Op.65 - Act 1:"Ach Herrin sü?e Herrin!" |
Sir Georg Solti
|
Vier letzte Lieder |
| Macbeth - Version 1865 for the Paris OpéraAct 4:Gran Scena del Sonnambulismo: "Vegliammo invan due notti" |
London Philharmonic Orchestra
|
MacbethAct 3 |
| Symphony No. 3 "The Song of the Night": III. Largo |
London Philharmonic Orchestra
|
Vladimir Jurowski: 10 Years |
| Partita for Double String Orchestra: 1. Prelude - Andante tranquillo |
London Philharmonic Orchestra
|
Music of England, Vol. 1 |
| Così fan tutteAct 2:"Il cor vi dono" |
Sir Georg Solti
London Philharmonic Orchestra
|
Mozart: Cosi fan tutte |
| Sinfonietta: I. Allegro |
London Philharmonic Orchestra
|
British Symphonies |
| Symphony No.5, Op. 47, II |
London Philharmonic Orchestra
|
Norton Recorded Anthology of Western Music Vol. 3: Twentieth Century |
| Die Walküre, WWV 86B, Act 1, Zweite Szene: Mued am Herd fand ich den Mann. Not fuehrt' ihn ins Haus (Sieglinde) |
London Philharmonic Orchestra
|
Wagner: Die Walkure, Act 1 |
| Berlioz: Symphonie fantastique, Op.14 - 1. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) |
Sir Georg Solti
|
Symphonic Dances, Op.45 |
| La traviataAct 1 : "E strano!" - "Ah, fors'è lui" (Live In London1994) |
Sir Georg Solti
|
La traviataAct 3 |
| CarmenAct 4:Les voici les voici (Toreador Chorus) |
Sir Georg Solti
London Philharmonic Orchestra
|
The World of Bizet |
| Symphony No. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich |
London Philharmonic Orchestra
|
Bruckner: Symphony No. 6 |
| Vier letzte Lieder:2. September |
Sir Georg Solti
|
Vier letzte Lieder |
| Messiah: Part 3, No. 49 - Then Shall Be Brought to Pass |
London Philharmonic Orchestra
|
Handel: Messiah (Complete Version, Original Instrumentation) |
| Die Zauberflöte K.620Act 2:"Ein M?dchen oder Weibchen" |
Sir Georg Solti
|
Mozart: Die Zauberflöte |
| Serenade for Strings, Op. 12:IV. Lento |
London Philharmonic Orchestra
|
Lyrita Celebrating 50 Years Devoted to British Music |
| Symphony No. 41 in C major, K.551 "Jupiter": II. Andante cantabile |
London Philharmonic Orchestra
|
Classical Revision: Mozart, Vol. 2 |
| Romeo and Juliet Op. 64 - highlights (2002 Digital Remaster), Act III, Epilogue: 52. Death of Juliet |
London Philharmonic Orchestra
|
Prokofiev Dance of the Knights and other highlights from Romeo and Juliet; Mussorgsky Pictures at an Exhibition |
| Symphony in B flat H.I No.98:2. Adagio |
London Philharmonic Orchestra
|
Symphony in D, H.I No.104 - "London" |
| Crown Imperial: A Coronation March |
London Philharmonic Orchestra
|
40 Famous Marches |
| Piano Concerto No.3 in C minor Op.37:2. Largo |
London Philharmonic Orchestra
|
Essential Beethoven |
| Eugene Onegin, Op.24, TH.5Act 2:Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski? |
Sir Georg Solti
|
Tchaikovsky: A Classical Atmosphere |
Le Nozze di Figaro - rehearsal sequence 1 - Orchestral Introduction to "Porgi, amor"