| 12 Irish Songs, WoO 154:No.10 The hero may perish his country (W. Smith) |
Felicity Lott
|
Beethoven: Folksong Arrangements |
| Elijah Op.70 MWV A25Part 2:Hear ye Isael; Be not afraid; The Lord hath exalted |
London Philharmonic Choir
|
Mendelssohn: Elijah |
| Der Rosenkavalier, Op. 59, Act II:"Mir ist die Ehre widerfahren" (Octavian, Sophie) |
Felicity Lott
|
Great Opera Duets |
| The Protecting Veil:VI. The Resurrection |
Andrew Keener
|
20th Century Classics: John Tavener |
| Suite from the Gadfly, Op. 97a:V. Barrel Organ Waltz (Arr. Atovmyan) |
Andrew Keener
|
SchoenbergShostakovich - Chamber Music |
| Symphony No. 8, "Symphony of a Thousand":II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" ( |
Richard Cooke
Dame Felicity Lott
London Philharmonic Choir
|
150th Anniversary Box - Mahler |
| Trois Poèmes de Louise Lalanne, FP 57:2. Chanson |
Felicity Lott
|
Airs chantés |
| Messiah, HWV 56, Pt. II: 31. He Was Cut Off Out of the Land of the Living |
London Philharmonic Choir
|
Weihnachten zu Hause: Der Messias, HWV 56 |
| Conquerors of the Ages: The Caesars |
London Philharmonic Choir
|
Deluca: Conquerors of the Ages - Kodály: Psalmus Hungaricus Selection (Digitally Remastered) |
| Belshazzar's Feast:IX. Then sing aloud to God |
London Philharmonic Choir
|
Walton: Belshazzar's Feast |
| String Quintet No.3 In G Minor, K.516:3. Adagio ma non troppo |
Franz Beyer
|
Mozart pour dormir |
| Les Chansons de Bilitis: V. La Partie d'osselets |
Andrew Keener
|
Debussy Piano Chamber & Orchestral Works |
| Klosterfraulien Op 61 No 2 |
Felicity Lott
|
Sweet Power Of Song & On Wings Of A Song |
| Symphony No. 2 "Resurrection": IV. 'Urlicht'. Sehr feierlich, aber schlicht |
London Philharmonic Choir
|
Mahler: Symphony No. 2 "Resurrection" |
| The Seven Last Words of our Saviour on the Cross, Hob. XX: 2: VII. Vater, in deine Haende |
London Philharmonic Choir
|
Haydn: The Seven Last Words of our Saviour on the Cross |
| Liederalbum für die Jugend Op. 79:Frühlingslied Op.79 No.19 (Fallersleben) |
Dame Felicity Lott
|
Sweet Power of Song |
| 5 Lieder, Op. 48, TrV 202 (version for voice and orchestra) (text by O. J. Bierbaum) |
Felicity Lott
|
STRAUSS, R.: Orchestral Songs, Vol. 1 |
| Symphony No. 3 "The Song of the Night": III. Largo |
London Philharmonic Choir
|
Vladimir Jurowski: 10 Years |
| La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 14 bis: Duetto 'O grandes leçons du passé' (DuchesseBoum) |
Dame Felicity Lott
|
Offenbach: La Grande Duchesse de Gerolstein |
| Joie! |
Dame Felicity Lott
|
Sweet Power of Song |
| Études d'exécution transcendante, S. 139: IV. Mazeppa (Allegro) |
Andrew Keener
|
50 Best Liszt |
| Prince Igor, Polovtsian Dances: DanceII |
Andrew Keener
|
Russian Music |
| Die Soldatenbraut |
Felicity Lott
|
Felicity Lott Sings Schumann |
| Requiem (Grande Messe des Morts), Op. 5:III. Quid sum miser |
London Philharmonic Choir
|
Berlioz Requiem (Grande Messe des Morts), Op. 5 - Davis, LSO |
| Messiah: Part 3, No. 49 - Then Shall Be Brought to Pass |
London Philharmonic Choir
|
Handel: Messiah (Complete Version, Original Instrumentation) |
| Alpensymphonie, Op.64:13. Auf dem Gipfel |
David Bell
|
DG 120 – Orchestral 2 (1971-1989) |
| Liederkreis, Op. 39 (song cycle) |
Felicity Lott
|
Schumann Favourite Songs |
| La Grande Duchess de Gerolstein, Acte I: No 4: Chanson Militaire 'Ah! C'est un fameux regiment' (DuchesseFritzPuckNepomuc B |
Dame Felicity Lott
|
Offenbach: La Grande Duchesse de Gerolstein |
Requiem in D Minor, K.626:VIII. Communio: Lux aeterna (with sop. solo) - Cum sanctis tuis